2024 AWARD WINNERS
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ANDREAS KRÅTSCHMER
FIRST PRIZE | Fine Woodworking
Award Donor: MARY MARTIN, Member, Cabbagetown Art & Craft
Wood sculpture rooted in function
My wood-turning practice is rooted in a deep appreciation for the tradition of crafts, the cultural history of artifacts and our human interaction with nature. Through my work I tell stories of fragility, strength and resilience. The fragility and resilience of our forests and of the material wood itself teaches us about our own human psyche. There is beauty in cracks, imperfections and fragility. Once we embrace this, we can stand calm and strong.
I use locally salvaged wood, that I turn "green" (freshly cut). In the drying process the wood is naturally subject to tension, warping and cracking. I embrace and amplify this with the use of fire. Andreas Krätschmer
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TERRY RAININGER
SECOND PRIZE | Fibre Arts
Award Donors: MEG BEST and VIRGINIA HAMARA, Members, Cabbagetown Art & Craft
Exploring plastic and paper waste
Heavily informed by traditional textile and basket weaving techniques, I investigate natural and manufactured materials that I can alter and deconstruct to create sculptural textile vessels. I like to work intuitively, vessels take shape row by row, contrasting the strength and fragility of materials, and employing bold colours and textures. I’m inspired by 20th century studio pottery and architectural structures. I feel my vessels embody human and emotional qualities expressed by whimsical and unexpected forms. I began making baskets in the late 80’s inspired by an international moment to revive traditional basketmaking.Tamara Soto
Terry Raininger
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SABINA FENN
THIRD PRIZE | Painting
Award Donor: SUSAN CORRIGAN, Member, Cabbagetown Art & Craft
An ode to the beauty of natural objects
I'm drawn to the timeless elegance of ancient, big, and curvy trees, I embark on a visual journey to capture the essence of their quiet strength and the stories they carry within their gnarled branches. In the quiet moments of observation I find inspiration, and in the act of creation, I seek to share the profound beauty that lingers in the play of light on leaves and the quiet majesty of age-old trees.
I use cold wax medium with oil paints to create a three dimensional surface. Then I create a loose sketch using acrylic paint, before applying my oil paints with cold wax medium. Sabina Fenn
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EVE and CHRIS HARVEY
RICHARD SILVER AWARD | Other Materials
Award Donor: Richard Silver, sothebysrealty.ca
A return to traditional crafts
Our craft is rooted in a deep respect for the land and a commitment to sustainability. We believe that functionality and design are not mutually exclusive. We find beauty in the simple act of sweeping. The natural textures of the wood, combined with the purposeful arrangement of the bristles, create objects that are not only utilitarian but also aesthetically pleasing. Each broom and brush is a unique creation, imbued with the spirit of Prince Edward County and built to last.
Sustainability is at the forefront of our practice. We use traditional broom-making techniques that minimize waste and rely on human skill rather than industrial processes. Eve and Chris Harvey
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DANIELLE COLE
MONTCREST SCHOOL AWARD | Mixed Media
Award Donor: Montcrest School montcrest.on.ca
Reflections on gender roles
Danielle Cole is a Toronto based artist who creates playful collages through an assembly of original vintage graphics. Her work often explores the absurdity of domestic roles and the need for material goods
Her Cowboys and Wallflowers series combines emblematic imagery and humour to invite the viewer to consider the rigid constraints of gender norms and expectations. Each piece of art is handmade using original vintage materials ranging from the late 1800s to the 1970s. Danielle Cole
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SASHA JARDINE
SPECIAL MEMBER AWARD | Clothing
Award Donor: Wendy Shingler, Member, Cabbagetown Art & Craft
Colour, joy, preserving craftsmanship and sustainability
I dreamed about outerwear that challenged status-quo materials, colours, cis gender-designations, and styles. SteMargScot's collection centres on timeless yet modern woollen coats that are bold, warm, versatile, and gender-inclusive. As a member of the Canadian Wool Council, I have begun working with Canadian fibre farmers and making pure Canadian wool pieces.
Our materials were prioritized to be low impact, ethically sourced, renewable, sustainable, and chosen intentionally, each with a story and craftmanship. Sasha Jardine